This Feb 2010 photo provided by the Kunstmuseum Gehrke-Remund shows a licensed replica of the missing, original painting by Mexican artist Frida Kahlo, titled

The Wounded Table: Experts dismiss dealer’s claim to have long-lost Frida Kahlo work, set to be sold for $45 million

Scholars within the work of surrealist Frida Kahlo have looked for greater than six a long time for “The Wounded Table,” a 1940 oil portray illuminating her ache over the breakup of her marriage to muralist Diego Rivera that hasn’t been seen since an exhibition in Poland. And the historians strongly reject the concept that the thriller of its whereabouts has been solved, as claimed by a Spanish artwork seller who says the portray is now sitting in a London warehouse awaiting a purchaser prepared to spend greater than 40 million euros ($45 million).

Experts consulted by The Associated Press have concluded that printed pictures of the work now on sale present nothing greater than a replica of Kahlo’s portray.

Helga Prignitz-Poda, an artwork historian who has fruitlessly tried to trace down the long-lost portray, stated that there are clear variations between the work on the market and outdated images of the unique and that there are similarities between the supplied work with inaccurate replicas primarily based on these outdated pictures.

In addition, she stated, Kahlo did the portray on wooden and never on canvas. The work on the market is described as a canvas portray.

Cristian López, the Spanish artwork seller who says he represents the nameless proprietor of the portray, stands agency in defending its authenticity.

“Time will give us the truth,” López stated throughout a telephone dialog wherein he supplied few particulars on the portray.

López, who’s little recognized within the artwork world, stated specialists have endorsed the portray’s authenticity, however he declined to establish them.

“Whoever proves genuine interest and the ability to pay the figure of 40 million euros, can spend as much time as wanted with their experts analyzing the work,” López stated.

“The Wounded Table” was unveiled on the International Surrealism Exhibition in 1940 in Mexico City. It features a self-portrait of Kahlo at a protracted desk, flanked by a Holy Week Judas and a monster that embraces her, whereas the 2 sons of her sister stand at one finish and her pet fawn is on the different. Blood flows from knots of the wooden desk, which is taken into account to characterize the artist’s anguish of the simply concluded divorce from Rivera.

Kahlo donated the portray to the Soviet Union in 1945 for a deliberate Mexico room on the Museum of Western Art in Moscow, however Soviet artwork officers disdained surrealism as decadent and the mission was dropped. The Mexican works ended up in a cellar.

A 12 months after Kahlo’s dying, a Mexican group organized a touring artwork exhibition for exhibits in Soviet bloc nations and organized for a mortgage of “The Wounded Table.” Prignitz-Poda stated there’s photographic proof the 46-inch by 98-inch portray was proven in Warsaw, however nothing is understood of it after that. There isn’t any clue whether or not it was returned to Moscow, destroyed or maybe acquired by somebody.

Susana Pliego, an artwork historian who has studied the work of each Kahlo and Rivera, is among the many consultants who don’t assume the portray on the market is the actual factor.

She stated there’s a massive downside with faked Kahlo portray as a result of the artwork market thirsts for extra works by an artist who produced solely about 200 work earlier than her dying in 1954.

“Fridamania has been a marketing invention,” stated Pliego, who directs cultural programming on the Casa de México in Madrid and who labored for years on Kahlo’s archive. “Because her paintings are sold so expensively, someone makes a proposal to see if anyone falls for it.”

Hans-Jérgen Gehrke, an artwork collector who operates a museum devoted to Kahlo’s works in southwestern Germany, considers it “implausible, if not directly ridiculous,” that an unknown 22-year-old businessman working an internet site from a city in northwestern Spain is the guardian of the lacking portray.

“There are thousands of Frida Kahlo fakes,” Gehrke stated. “She is possibly the artist who has painted more dead than in life.”

(This story has been printed from a wire company feed with out modifications to the textual content. Only the headline has been modified.)

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