Nora Fatehi and Terence Lewis in a screengrab from the video in question.

Nora Fatehi suggests viral video showing Terence Lewis touching her inappropriately was ‘morphed’: ‘This too shall pass’

Actor Nora Fatehi has supplied her assist to dancer Terence Lewis, who was not too long ago on the receiving finish of on-line backlash after a video that appeared to point out him touching Nora inappropriately was broadly shared. Terence selected to answer to the controversy that adopted not with an announcement, however with a narrative.

He wrote a narrative in an Instagram put up, a few Zen grasp and his disciples, who come throughout a damsel in misery. She wants assist crossing a river, so the grasp picks her up in his arms and helps her throughout. One of his disciples is worried. He asks the grasp later why he helped her, as a result of they’re forbidden to the touch ladies. The grasp replies that he had already left her on the opposite aspect of the river, however the disciple appeared to nonetheless be carrying her in his thoughts. Terence shared this story with an image of himself, carrying Nora in his arms.

 

Nora took to the feedback part to supply assist. She wrote, implying that the video in query was morphed, “Thank you Terrence! In today’s time of social media video morphing and photoshop effects for meme purposes.. I’m glad you have not let it bother you and you have remained poised and dignified! This too shall pass you and Geeta ma’am have been so respectful with me and have made me feel so loved and accepted as a judge on the show, its been a great life learning experience! Stay blessed.”

Nora is serving as an interim choose on the dance actuality present India’s Best Dancer. She is filling in for Malaika Arora, who was not too long ago identified with the coronavirus. Malaika has since recovered.

Also learn: Nora Fatehi’s WAP problem interrupted as ‘mom’ will get scandalised by suggestive strikes. Watch

Nora is greatest recognized for her hit dance numbers Rock the Party (Rocky Handsome; 2016), Kamariya (Stree; 2018), Dilbar (Satyameva Jayate; 2018), and O Saki Saki (Batla House, 2019). She mentioned in a latest interview to Hindustan Times that she doesn’t need to be typecast, and is raring to showcase her appearing abilities, regardless of the difficulties she is dealing with. “It gets complicated when you don’t belong to India. There are a lot of barriers — language, understanding the nuances of an Indian character and so on. I want to be that artist in Bollywood who may be from abroad, but can be accepted equally like any Indian actress because of my skills. These few years, I’ve been hustling and trying to get a role in the industry and I’m also spending a lot of time improving my skills,” she mentioned.

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